Worklists
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2026 Tomato Tomato, for saxophone (soprano and bass), keyboard, electric guitar, and electronics, 7’
To be premiered in December, 2026 by Tacet(i) Ensemble in Bangkok, Thailand
2026 Happy Pony, for acting violinist, cellist, pianist, and fixed media, 12’
To be premiered in November, 2026 by BONK Trio in New York City
2025 Headless Fly, written for Loadbang Ensemble, 5’
Premiered on June 21 at Longy School of Music, Boston
2024 The Confession of A Chameleon, for voice, violin, cello, clarinet, piano and percussion, 8’
Commissioned by the soundSCAPE summer festival and premiered on July.6 in Blonay, Switzerland
2024 Afterlife in 2094, for solo piano, 7’
Premiered on May.6 at Mannes School of Music by Jihwan Yoon
2024 Five Mini Dramas of Human Observation, for string quartet, 20’
Recorded by JACK quartet at Mannes School of Music (Dec 8, 2023) (first movement)
first three movements premiered by Boys Quartet at Mannes School of Music (May 16)
Movement 4 and 5 premiered by the Mivos Quartet at Valencia, Spain (July 11, 2025)
2023 Rejoice in Pain, for fl, bsn, tpt, tbn, perc, pn, vl, db, 14’
Premiered at Mannes Composers Concert #5 (April 18, 2024)
2023 Abstract Watercolor, for solo piano, 7’
Premiered by the composer at the Performing Art Public Library at Lincoln Center (May 8)
2023 And Then I’m In Another Dimension, for flute (piccolo), clarinet, cello, harp and electronics, 25’
Premiered at Mannes Composers Concert #1 (Oct 5)
2022 The Light Dimmed, for solo cello, 12’
Premiered by Hannah Sohn at Old Stone House, Brooklyn (Dec 15)
2021 If Only You Knew, for soprano and piano, 6’
Recorded at the recording studio of Hunan Normal University, China (Nov 22)
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2025 Occasional Ecstasy, for chamber orchestra, 9’
Ensemble Contemporaneous performed this piece on April 13, 2026, as part of the Contemporaneous Open Mic Vol.3 at Roulette Intermedium in Brooklyn, NYC.
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2026 Tomato Tomato, for saxophone (soprano and bass), keyboard, electric guitar, and electronics, 7’
To be premiered in December, 2026 by Tacet(i) Ensemble in Bangkok, Thailand
2026 Happy Pony, for acting violinist, cellist, pianist, and fixed media, 12’
To be premiered in November, 2026 by BONK Trio in New York City
2026 Miss Grandpa, a solo theater performance in which MUGIC motion sensors embedded in bunny ears control and interact in real time with AI-generated visuals and live camera feeds through custom Max/Jitter patches, accompanied by electronic music. 7’
Premiered on April 26, 2026 on my project “AHHHHHHHHH”, at the Stone, NYC
To be presented at SPLICE Festival in Feb 2027.
2026 Fragmented Hope, live electronic music with voice, for devised theater, 50’
Premiered on March 14, 2026 on APEX festival, NYC
2025 And We Never Went Back, live electronic music for physical theater, 40’
Premiered on March 29 at Art On Site, New York City
2025 Too Many Dudes, mix-disciplinary performance work for live voice processing with electronics, dancer with motion sensor device, staged singer, alto flute, and bass clarinet. 9’
Premiered on March 18 at Tech Forward Show 9.0, presented by Nstrument Lab
2025 A Love Letter-From a Screaming Chicken to Its World, for screaming chicken and electronics, 4’
Premiered on March 24 in Electronic Composition Lab
2025 Can You Hear Me Speak, for screaming chicken, live voice, and electronics, 4’
Premiered on May 12 in Electronic Composition Lab
2023 And Then I’m In Another Dimension, for flute (piccolo), clarinet, cello, harp and electronics, 25’
Premiered at Mannes Composers Concert #1 (Oct 5)
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2026 Happy Pony, for acting violinist, cellist, pianist, and fixed media, 12’
To be premiered in November, 2026 by BONK Trio in New York City
2026 Miss Grandpa, solo performance with rabbit ears (motion sensor), AI-generated visuals, and electronics, 7’
Premiered on April 26, 2026 on my project “AHHHHHHHHH”, at the Stone, NYC
2026 As Naked As Possible, music theater, 17’
Premiered on April 26, 2026 on my project “AHHHHHHHHH”, at the Stone, NYC
2026 Broism, stand up comedy, 12’
Premiered on April 26, 2026 on my project “AHHHHHHHHH”, at the Stone, NYC
2026 Fragmented Hope, live electronic music with voice, for devised theater, 50’
Premiered on March 14, 2026 on APEX festival, NYC
2025 And We Never Went Back, live electronic music for physical theater, 40’
n Premiered on March 29 at Art On Site, New York City
2025 Too Many Dudes, mix-disciplinary performance work for live voice processing with electronics, dancer with motion sensor device, staged singer, alto flute, and bass clarinet. 9’
n Premiered on March 18 at Tech Forward Show 9.0, presented by Nstrument Lab
